A good contrast to "Cousin", made almost on the same topic, is the Fellini film "La Dolce Vita." It modernity of style and complete confidence in the viewer, can become a "co-author of" definition does not exclude the author's point of view on what is happening, definite relation to the shows. Therefore, none of those sitting in the room did not cause "misunderstandings" passing a string of different characters and situations of "dolce vita" Italian Bohemia: all of them the author (cleverly, quietly, as if our mouths, or rather, the very mouth of life) delivers a merciless verdict. Why is such a major shift in the relationship between author and audience in the movie, so why change educational functions of the seventh art? The first reason for this is a stormy evolution of means of cinema. Deprived of the first decades of the word cinema had to excel in the transmission of even the simplest of thoughts. Before the director of those years was constant danger that he will be misunderstood in the most basic, common-sense. Just dumb people resorting to drastic emphasized sign language, "the great silent" not ashamed of the need to emphasize the author's thoughts through expressive close-up or installation. With the advent of sound in the cinema is no longer necessary to assess what is happening, or to comment just one painting. Author's attitude toward a particular event could be invested, as in the theater, into the mouth of the actors and the audience received through them. Many of the things that require special explanation, and could pass, not whether it is specifically pointed out, unnoticed by the majority of those sitting in the hall, is now becoming clear by itself.